Hi! I’m so excited to say my show is finally 2 weeks away! …And I have a LOT of work to do. Let’s see – I’ve been speinding a bulk of my free time painting, but I still have two 2′ x 2′ paintings I’d like to have done, and a bunch of smaller ones. This weekend I plan on finishing up some components for an installation Tracy Jones and I are collaborating on. I’m excited to see how it comes together! We’ll start installing next week.
Man, it would be so nice to have the luxury of working on art all day every day. Grad school? Maybe someday. The thought has been in the back of my head for years. West coast? Maybe someday. The thought has been in the back of my head for years.
Here’s a peek of my show that will be up next month. Hope you can make it!
Milk, Honey, and a Left Arm features works by CJ Hungerman, Tracy Jones, and Black Cloud’s resident artist, Lauren Richards. The concepts of conflict, memory, and personal history are explored through the use of color, pattern, and found elements.Opening Reception: Friday, June 1st, 7:00 – 10:00 PM
2nd Fridays: Friday, June 8th, 6:00 – 10:00 PM
Open during business hours: Friday, June 1st – Wednesday, June 27th
I find that when creating my images, even though they have a whimsical feel to them, they do reflect conflict. All of our lives have struggles internally and externally. I believe that the Random Robots represent my personal pitfalls, conflicts, successes, all running around like little protons, neutrons, and electrons smashing together throughout ourselves, space, and time.
Tracy G. Jones trusts art.
Color sets his course, even though it doesn’t tell him where they’re going. Paint drives, often recklessly, swerving and veering, narrowly avoiding ruin. Found objects and memories are always there to bail him out.
Art is not the most predictable of companions. Art isn’t even trustworthy. But Tracy G. Jones has never been locked up or hospitalized because of art, and art is always a good time, so yeah. Tracy G. Jones trusts art.
Maybe art trusts Tracy G. Jones, too.
I strive to keep my process spontaneous, youthful, and fresh. With impulse and randomness, mistakes are often made early on. I seek a certain level of precision and have an obsession with hand drawn perfection. Fears of creating contrived paintings cause me to make decisions that force me out of my comfort zone. Mistakes are corrected by straightening lines, covering them with collage, or blocking them out altogether. An initial problem is sometimes covered by a past error, only if it is the right solution. For me, spontaneity and a youthful approach to painting are key.